{"id":2377,"date":"2024-11-27T22:50:19","date_gmt":"2024-11-27T22:50:19","guid":{"rendered":"https:\/\/tomassalazar.art\/?page_id=2377"},"modified":"2026-01-16T13:09:38","modified_gmt":"2026-01-16T13:09:38","slug":"home-2","status":"publish","type":"page","link":"https:\/\/tomassalazar.art\/es\/","title":{"rendered":"Home"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"2377\" class=\"elementor elementor-2377\" data-elementor-settings=\"{&quot;ha_cmc_init_switcher&quot;:&quot;no&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d5ef86f blur-on-scroll ops-section e-flex e-con-boxed wpr-parallax-no wpr-equal-height-no e-con e-parent\" data-id=\"d5ef86f\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;ekit_has_onepagescroll&quot;:&quot;section&quot;,&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element 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data-icon-position=\"end\" data-icon-source=\"\" data-expand>\n\n                \t<div class=\"ue_inner_menu_expand_icon\" style=\"display: none\"><i class='icon icon-down-arrow1'><\/i><\/div>\n        \t<div class=\"ue_inner_menu_collapse_icon\" style=\"display: none\"><i class='icon icon-up-arrow1'><\/i><\/div>\n        \t\n        \n        <div class=\"ue_inner_menu-box\">\n\n          <div><\/div>\n\n          \t\n\n          <div>\n            <ul id=\"menu-navbar\" class=\"uc-list-menu\"><li id=\"menu-item-2685\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-has-children menu-item-2685\"><a aria-expanded=\"false\" href=\"https:\/\/tomassalazar.art\/es\/artworks\/\" class=\"menu-link\">OBRAS<span role=\"button\" class=\"dropdown-menu-toggle ast-header-navigation-arrow\" tabindex=\"0\" aria-expanded=\"false\" aria-label=\"Alternar men\u00fa\" aria-haspopup=\"true\"><\/span><\/a>\n<ul class=\"sub-menu\">\n\t<li id=\"menu-item-2686\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2686\"><a href=\"https:\/\/tomassalazar.art\/es\/artworks\/transcendent\/\" class=\"menu-link\">TRASCENDENTE<\/a><\/li>\n\t<li id=\"menu-item-2687\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2687\"><a href=\"https:\/\/tomassalazar.art\/es\/artworks\/god-save-the-king-l\/\" class=\"menu-link\">DIOS SALVE AL REY I<\/a><\/li>\n\t<li id=\"menu-item-2688\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2688\"><a href=\"https:\/\/tomassalazar.art\/es\/artworks\/god-save-the-king-ll\/\" class=\"menu-link\">DIOS SALVE AL REY II<\/a><\/li>\n\t<li id=\"menu-item-2879\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2879\"><a href=\"https:\/\/tomassalazar.art\/es\/artworks\/checkmate-to-life\/\" class=\"menu-link\">CHECKMATE TO LIFE<\/a><\/li>\n\t<li id=\"menu-item-2880\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2880\"><a href=\"https:\/\/tomassalazar.art\/es\/artworks\/ocean\/\" class=\"menu-link\">OCEAN<\/a><\/li>\n<\/ul>\n<\/li>\n<li id=\"menu-item-2689\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2689\"><a href=\"https:\/\/tomassalazar.art\/es\/writings\/\" class=\"menu-link\">ESCRITOS<\/a><\/li>\n<li id=\"menu-item-2923\" class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-2923\"><a href=\"https:\/\/drive.google.com\/drive\/folders\/1amPN6FyozOYF0WEcApbjX8LjAu1mJhAU?usp=sharing\" class=\"menu-link\">CV<\/a><\/li>\n<li id=\"menu-item-2690\" class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-2690\"><a href=\"https:\/\/tomassalazar.art\/es\/contact\/\" class=\"menu-link\">CONTACTO<\/a><\/li>\n<\/ul>\n          <\/div>\n\n\n          \t\n\n          <div><\/div>\n\n        <\/div>\n\n      <\/div>\n    <\/div>\n  \n  <\/div>\n<\/div>\n<!-- end Fullscreen Menu -->\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-1458071 e-con-full main-heading e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no e-con e-child\" data-id=\"1458071\" data-element_type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-27e38b2 elementor-widget elementor-widget-heading\" data-id=\"27e38b2\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">TOMAS SALAZAR SUAZA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9d1d13f elementor-widget elementor-widget-heading\" data-id=\"9d1d13f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/tomassalazar.art\/es\/artworks\/\">Ver Obras<\/a><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-909f52b e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no e-con e-parent\" data-id=\"909f52b\" data-element_type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3e15b26 elementor-widget__width-initial elementor-widget elementor-widget-heading\" data-id=\"3e15b26\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Biograf\u00eda<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-bca65d8 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no e-con e-child\" data-id=\"bca65d8\" data-element_type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b7a75e3 elementor-widget elementor-widget-heading\" data-id=\"b7a75e3\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Tom\u00e1s Salazar Suaza, nacido en Medell\u00edn en 2005, es un artista en formaci\u00f3n, apasionado por diversas t\u00e9cnicas pict\u00f3ricas, especialmente el acr\u00edlico con esp\u00e1tula, lo que le permite m\u00e1xima libertad creativa. En su b\u00fasqueda de un lenguaje art\u00edstico personal, ha adoptado el expresionismo como aliado perfecto para transmitir las im\u00e1genes que surgen de su interior. Ha realizado m\u00e1s de 50 exposiciones en todo el mundo, y sus obras han llegado a ciudades como Miami, Nueva York, S\u00eddney, Roma, Bolonia, Salerno, Alicante, Buenos Aires, Coatepeque (Guatemala), Jes\u00fas Mar\u00eda (Per\u00fa) y, en Colombia, a Medell\u00edn, Bogot\u00e1, Cartagena, Pereira, Armenia, Cali y Bucaramanga.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8290768 elementor-widget elementor-widget-heading\" data-id=\"8290768\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Como muchos artistas en formaci\u00f3n, Tom\u00e1s empez\u00f3 su carrera pintando temas cotidianos como paisajes y la figura humana. Esta fase temprana le ayud\u00f3 a aprender sobre el color y la composici\u00f3n. A medida que evolucionaba, sus cuadros adquirieron matices m\u00e1s maduros y empez\u00f3 a explorar la abstracci\u00f3n y el surrealismo, abriendo una puerta a un mundo interior donde la fantas\u00eda no tiene l\u00edmites.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4a9d849 elementor-widget elementor-widget-heading\" data-id=\"4a9d849\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Desde muy joven, Tom\u00e1s Salazar demostr\u00f3 un profundo inter\u00e9s y talento por el arte. Inici\u00f3 sus estudios a los diez a\u00f1os de la mano del profesor Juan Pablo Gonz\u00e1lez y continu\u00f3 su formaci\u00f3n con la artista visual Betty C\u00e1rdenas. Ha tomado talleres con maestros como Francisco Garc\u00eda, Filio Carmona, Pascual Ruiz Uribe, Luis Guillermo Mej\u00eda Vallejo y \u00c1ngela Mej\u00eda Vallejo. Curs\u00f3 un diplomado en Historia del Arte en la Universidad de Lux, M\u00e9xico. Actualmente, avanza sus estudios en Bellas Artes en la Universidad Miguel Hern\u00e1ndez en Altea, Espa\u00f1a.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bfd7109 elementor-widget elementor-widget-heading\" data-id=\"bfd7109\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">La carrera art\u00edstica de Tom\u00e1s Salazar dio un salto importante a principios de 2018. Con tan solo catorce a\u00f1os, comenz\u00f3 a exponer sus obras en diversas muestras colectivas por todo el pa\u00eds, llamando la atenci\u00f3n de cr\u00edticos de arte y coleccionistas. A lo largo de los a\u00f1os, ha expuesto en numerosas galer\u00edas, instituciones gubernamentales y museos de renombre, tanto a nivel nacional como internacional. Sus exposiciones individuales han sido celebradas por su innovaci\u00f3n y profundidad art\u00edstica. Algunas de sus obras m\u00e1s ic\u00f3nicas incluyen \"El Sue\u00f1o\" (2018), \"F\u00e9mina\" (2019) e \"Invicto\" (2023). Estas piezas ejemplifican su viaje a trav\u00e9s de varios estilos art\u00edsticos y destacan su capacidad para transmitir temas emocionales y conceptuales profundos a trav\u00e9s de su arte.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-66a79b9 elementor-widget elementor-widget-heading\" data-id=\"66a79b9\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">El trabajo del artista Tom\u00e1s Salazar Suaza es un ejercicio pict\u00f3rico consciente, sincero, autoreflexivo, propio de un creador joven y emergente, arriesgado, que proyecta en muchas de sus im\u00e1genes un gesto autorreferencial en cierto modo auto-etnogr\u00e1fico, donde analiza el devenir de aquellos aspectos cotidianos emocionales que marcan se\u00f1ales, claves y signos de su historia personal.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1299b1f elementor-widget elementor-widget-heading\" data-id=\"1299b1f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">En la est\u00e9tica de su pintura gravitan personajes interesantes, se constelan la memoria, la imaginaci\u00f3n, la fantas\u00eda, los recuerdos, y fragmentos o trozos de vida, todos estos elementos se tejen o se imbrican en sus obras. Entre las referencias a experiencias vitales, emergen im\u00e1genes especulares del amor y el desamor, o un desaire amoroso. De igual manera, se manifiestan sus v\u00ednculos con sus seres queridos, los momentos coyunturales de su acontecer, uniones, fricciones, fracturas, conflictos, tensiones, el drama barroco de la vida desde los efectos de lo figurativo, hacia las pulsiones de lo abstracto.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c23bae6 elementor-widget elementor-widget-heading\" data-id=\"c23bae6\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">En su obra vemos una apuesta por la figuraci\u00f3n en el contexto expresivo de atm\u00f3sferas et\u00e9reas de naturaleza inmaterial en unos casos, arquitect\u00f3nica en otros. Es un retorno interesante a la pintura con acentos y elementos de lo abstracto, pero sin abandonar la contundencia estructural del dibujo, la importancia que algunas de estas circunstancias pueden tener para su sensibilidad traducida en una iconograf\u00eda muy sensata; en la cual, el artista proyecta una reflexi\u00f3n po\u00e9tica.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-979d4fa elementor-widget elementor-widget-heading\" data-id=\"979d4fa\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">La manera como Tom\u00e1s indaga y ahonda en la naturaleza de sus emociones, en su \u00e1mbito cotidiano, nos permite reflexionar en las pasiones como expresiones del pensar o del sentir, que son atributos del alma. Todo esto suscita en el artista la creaci\u00f3n de una obra tambi\u00e9n expresiva en relaci\u00f3n con la manera como analiza o resignifica la importancia espiritual y emocional de eventos salpicados de afectos y emociones que trastocan y subvierten su cotidianidad. En sus pinturas pasa algo similar con el color y con la arquitectura, ya que \u00e9stos dos elementos compositivos se vuelven tambi\u00e9n personajes. El valor sem\u00e1ntico del color indica que \u00e9ste se convierte en un personaje, un personaje que devela y oculta, por ello su carga simb\u00f3lica tambi\u00e9n en el color, que se traduce po\u00e9ticamente en temperaturas, matices, que corresponden al estado del alma.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ba134e7 elementor-widget elementor-widget-heading\" data-id=\"ba134e7\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">La intensidad de las pasiones en las relaciones amorosas, afectivas, interpersonales, son materia prima para consolidar su iconograf\u00eda en la cual Tom\u00e1s decanta y depura esas emociones de manera auto-reflexiva, y evidencia la forma como elucubra acerca de s\u00ed mismo, desde su interior lleno de fantasmas, lleno de luces y sombras, en un juego constante con la vida, con las circunstancias y con el azar.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-320d1f5 elementor-widget elementor-widget-heading\" data-id=\"320d1f5\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Las pulsiones de vida y muerte, de eros y t\u00e1natos son tambi\u00e9n cualidades latentes de su ejercicio pict\u00f3rico en el cual Tom\u00e1s trata de ser muy libre y de utilizar una serie de s\u00edmbolos encriptados que sugieren reflexiones, sentimientos y expresiones. Estos objetos de deseo se reproducen en su pintura, en medio de un juego sem\u00e1ntico de tragedia e iron\u00eda. La literatura, su cultura visual, su imaginaci\u00f3n y la mirada interior son ingredientes para sus exploraciones pict\u00f3ricas. La pintura permite al artista, en este caso, hacer una radiograf\u00eda de sus pasiones, 2 ideas y emociones, de hecho, les confiere un rostro y una imagen a esas pasiones que se camuflan en multiformes personajes.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6867fb7 elementor-widget elementor-widget-heading\" data-id=\"6867fb7\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Los movimientos interiores, o el sufrimiento moral son desencadenantes de fuerzas emotivas, que permean el lenguaje pict\u00f3rico de muchos artistas. Las pasiones humanas tambi\u00e9n hacen parte de la esencia de los artistas; y \u00e9stas se reflejan o se expresan en la manifestaci\u00f3n de alegr\u00eda, tristeza, melancol\u00eda, amor y odio, creaci\u00f3n y destrucci\u00f3n (atributos, sentimientos y emociones, que constituyen el valor expresivo de muchas obras de arte a trav\u00e9s de la historia de la humanidad; esto les puede aportar, precisamente, una serie de valores o de cargas po\u00e9ticas, ontol\u00f3gicas, espirituales y trascendentes).<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9ecfe2f elementor-widget elementor-widget-heading\" data-id=\"9ecfe2f\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Son tambi\u00e9n elementos destacables en la obra de Tom\u00e1s Salazar el uso audaz de las veladuras, la meditaci\u00f3n con la arquitectura como un componente que vertebra espacios y dimensiones cargados de emotividad y mensajes simb\u00f3licos. \u00c9stos devienen simbolog\u00edas asociadas con la guerra, el juego, el azar y l\u00f3gicamente el amor, el aniquilamiento o la desolaci\u00f3n. El amor se vuelve un campo de guerras y batallas, de triunfos, victorias y derrotas (o aparentes derrotas). Enormes figuras de ajedrez, tableros del mismo juego, que fungen como terrenos, parcelas, o territorios, entre escalas, pedestales, o entre columnas de palacios y espacios m\u00e1gicos son testigos de eventos, y fen\u00f3menos misteriosos, sugeridos, ya que estos se convierten en conflictos no resueltos totalmente frente a nuestros ojos.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-15da1e3 elementor-widget elementor-widget-heading\" data-id=\"15da1e3\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">La estructura compositiva a menudo, en sus obras, nos configura una arqueolog\u00eda de la memoria, cifrada por tonos rojos, azules, violetas, negros, blancos. Una paleta de color que aporta otras temperaturas al espacio, y que suma tensiones a las acciones f\u00edsicas que se desenvuelven frente a nuestros ojos. Espacios, personajes, formas y colores generan una dramaturgia compositiva y perform\u00e1tica.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-952400a elementor-widget elementor-widget-heading\" data-id=\"952400a\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Lo geom\u00e9trico y lo racional de las construcciones arquitect\u00f3nicas representadas (columnas, arcos, pir\u00e1mides), contrasta con lo intuitivo y subjetivo del color y las dem\u00e1s formas a veces sinuosas que pululan en su obra. Lo animal nos remite al instinto, los edificios y su materialidad a la raz\u00f3n humana. La arquitectura puede ser p\u00e9trea y s\u00f3lida, como tambi\u00e9n metaf\u00edsica, cristalina, iridiscente, transparente, di\u00e1fana, et\u00e9rea (inmaterial); y esa misma arquitectura deja entrever u ocultar o sugerir, muchos peque\u00f1os eventos y seres diversos dentro del cuadro.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0034fea elementor-widget elementor-widget-heading\" data-id=\"0034fea\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">El pintor nos representa arcos de medio punto, columnas, la simultaneidad de elementos rom\u00e1nicos y g\u00f3ticos para una expresi\u00f3n ecl\u00e9ctica de las formas. Esta es la arquitectura simb\u00f3lica e imaginaria, de sus propias emociones. Edificios y ruinas de un castillo interior. L\u00edneas angulosas, horizontales, verticales, diagonales, suman misticismo al trabajo. Las pasiones mismas quedan delimitadas por esta arquitectura fant\u00e1stica, por los territorios de la imaginaci\u00f3n.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-eef41fc elementor-widget elementor-widget-heading\" data-id=\"eef41fc\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Animales alados (celestes), y terrenales, personas, calaveras, la muerte, caballeros medievales con armaduras, espadas, reyes y reinas, configuran un abecedario visual, un imaginario propio de la iconograf\u00eda de Tom\u00e1s, donde pululan personajes misteriosos evidentes y ocultos, seres m\u00edticos. Un repertorio iconogr\u00e1fico que muestra impresiones vitales del pintor, mitolog\u00edas personales. Se muestra adem\u00e1s el recurso a la alegor\u00eda y al 3 s\u00edmbolo, a la met\u00e1fora y la metonimia, muchos de estos elementos giran en torno a la lucha entre el bien y el mal, la catarsis y catalizadores de las emociones, y las pasiones intensas, el dolor de su interior trastocado y subvertido por la vida.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-65b9b36 elementor-widget elementor-widget-heading\" data-id=\"65b9b36\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">El di\u00e1logo entre veladuras pl\u00e1sticas de la t\u00e9cnica pict\u00f3rica, se armoniza a partir de un collage de recuerdos, de memoria, de espacios inter-dimensionales que se debaten entre la angustia, y la calma, entre el placer y el paroxismo, entre la catarsis o el \u00e9xtasis, y la contemplaci\u00f3n serena y silenciosa. A pesar de lo silencioso y aparentemente sosegado de algunas escenas representadas, y de que hay una referencia espacio-temporal en algunos de los escenarios plasmados por Tom\u00e1s; tambi\u00e9n podemos meditar a partir de la observaci\u00f3n de escenas dram\u00e1ticas, o frente a situaciones atemporales. Es decir, tambi\u00e9n hay algo ritual, algo enigm\u00e1tico que nos invita a confrontar nuestro propio mundo interior.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d3063da elementor-widget elementor-widget-heading\" data-id=\"d3063da\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Desde el amor, y desde el dolor, desde la paz y la guerra, desde la vida y la muerte, la angustia y la serenidad, la impotencia y la resiliencia (como el ave F\u00e9nix, que renace de sus propias cenizas), la narrativa de su obra tiene un componente ir\u00f3nico, un juego de planos en el espacio, donde pareciera que se mezclan el sue\u00f1o y la vigilia, donde se expanden las emociones m\u00e1s \u00edntimas del pintor en un escenario existencialista, emociones sugeridas u ocultas tambi\u00e9n bajo capas de significado.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c2783ff elementor-widget elementor-widget-heading\" data-id=\"c2783ff\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Es un pintor que no se agotar\u00e1 en especulaciones y reflexiones, sino en la b\u00fasqueda de la esencia del oficio pict\u00f3rico, en la identidad del creador absorto frente a la experiencia de la vida, asombrado ante las expresiones de la naturaleza humana. La pintura permite reinventarse, crear y recrear, afortunadamente habr\u00e1 tiempo para m\u00e1s, habr\u00e1 mucho tiempo para la creaci\u00f3n y la contemplaci\u00f3n.<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-53fbc26 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no e-con e-parent\" data-id=\"53fbc26\" data-element_type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t<div class=\"elementor-element elementor-element-0e568cf e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no e-con e-child\" data-id=\"0e568cf\" data-element_type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-40493bb elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"40493bb\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<a class=\"elementor-icon\" href=\"https:\/\/www.instagram.com\/tomassalazar.art\/\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fab-instagram\" viewbox=\"0 0 448 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M224.1 141c-63.6 0-114.9 51.3-114.9 114.9s51.3 114.9 114.9 114.9S339 319.5 339 255.9 287.7 141 224.1 141zm0 189.6c-41.1 0-74.7-33.5-74.7-74.7s33.5-74.7 74.7-74.7 74.7 33.5 74.7 74.7-33.6 74.7-74.7 74.7zm146.4-194.3c0 14.9-12 26.8-26.8 26.8-14.9 0-26.8-12-26.8-26.8s12-26.8 26.8-26.8 26.8 12 26.8 26.8zm76.1 27.2c-1.7-35.9-9.9-67.7-36.2-93.9-26.2-26.2-58-34.4-93.9-36.2-37-2.1-147.9-2.1-184.9 0-35.8 1.7-67.6 9.9-93.9 36.1s-34.4 58-36.2 93.9c-2.1 37-2.1 147.9 0 184.9 1.7 35.9 9.9 67.7 36.2 93.9s58 34.4 93.9 36.2c37 2.1 147.9 2.1 184.9 0 35.9-1.7 67.7-9.9 93.9-36.2 26.2-26.2 34.4-58 36.2-93.9 2.1-37 2.1-147.8 0-184.8zM398.8 388c-7.8 19.6-22.9 34.7-42.6 42.6-29.5 11.7-99.5 9-132.1 9s-102.7 2.6-132.1-9c-19.6-7.8-34.7-22.9-42.6-42.6-11.7-29.5-9-99.5-9-132.1s-2.6-102.7 9-132.1c7.8-19.6 22.9-34.7 42.6-42.6 29.5-11.7 99.5-9 132.1-9s102.7-2.6 132.1 9c19.6 7.8 34.7 22.9 42.6 42.6 11.7 29.5 9 99.5 9 132.1s2.7 102.7-9 132.1z\"><\/path><\/svg>\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-75d49a7 elementor-view-default elementor-widget elementor-widget-icon\" data-id=\"75d49a7\" data-element_type=\"widget\" data-widget_type=\"icon.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-icon-wrapper\">\n\t\t\t<a class=\"elementor-icon\" href=\"https:\/\/www.facebook.com\/profile.php?id=100004967746146\">\n\t\t\t<svg aria-hidden=\"true\" class=\"e-font-icon-svg e-fab-facebook\" viewbox=\"0 0 512 512\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M504 256C504 119 393 8 256 8S8 119 8 256c0 123.78 90.69 226.38 209.25 245V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.28c-30.8 0-40.41 19.12-40.41 38.73V256h68.78l-11 71.69h-57.78V501C413.31 482.38 504 379.78 504 256z\"><\/path><\/svg>\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-406ad2e e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no e-con e-child\" data-id=\"406ad2e\" data-element_type=\"container\" data-settings=\"{&quot;_ha_eqh_enable&quot;:false}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b7b43f0 elementor-widget elementor-widget-shortcode\" data-id=\"b7b43f0\" data-element_type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-shortcode\"><div class=\"automatic-copyright\">\u00a9 Tom\u00e1s Salazar, 2026. 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In his quest for a personal artistic language, he has embraced expressionism as a perfect ally to convey the images that spring from within. He has held over 50 exhibitions worldwide, with his works reaching cities such as Miami, New York, Sydney, Roma, Bologna, Salerno, Alicante, Buenos Aires, Coatepeque (Guatemala), Jes\u00fas Mar\u00eda (Peru), and in Colombia: Medell\u00edn, Bogot\u00e1, Cartagena, Pereira, Armenia, Cali, and Bucaramanga. Like many artists in training, Tom\u00e1s started his career painting everyday subjects like landscapes and the human figure. This early phase helped him learn about color and composition. As he evolved, his paintings developed more mature nuances, and he began to explore abstraction and surrealism, opening a door to an inner world where fantasy knows no bounds. From a very young age, Tom\u00e1s Salazar demonstrated a profound interest and talent for art. He began his studies at the age of ten with Professor Juan Pablo Gonz\u00e1lez and continued his training with visual artist Betty C\u00e1rdenas. He has taken workshops with artists such as Francisco Garc\u00eda, Filio Carmona, Pascual Ruiz Uribe, Luis Guillermo Mej\u00eda Vallejo, and \u00c1ngela Mej\u00eda Vallejo. He completed a diploma in Art History at the University of Lux, Mexico. He is currently pursuing his Fine Arts studies at Miguel Hern\u00e1ndez University in Altea, Spain. Tom\u00e1s Salazar&#8217;s artistic career took a significant leap in early 2018. At just fourteen, he began exhibiting his works in various group exhibitions across the nation, attracting the attention of art critics and collectors. Over the years, he has exhibited in numerous galleries, government institutions, and renowned museums, both nationally and internationally. His solo exhibitions have been celebrated for their innovation and artistic depth. Some of his most iconic works include &#8220;The Dream&#8221; (2018), &#8220;Female&#8221; (2019), and &#8220;Unbeaten&#8221; (2023). These pieces exemplify his journey through various artistic styles and highlight his ability to convey deep emotional and conceptual themes through his art. The work of the artist Tom\u00e1s Salazar Suaza is a conscious, sincere, self-reflective pictorial exercise, characteristic of a young and emerging creator who takes risks. Many of his images project a self-referential gesture, in a way auto-ethnographic, where he analyzes the evolution of those emotional everyday aspects that mark signs, clues, and symbols of his personal history. In the aesthetics of his painting, interesting characters gravitate; memory, imagination, fantasy, memories, and fragments or pieces of life are constellated and interwoven in his works. Among the references to vital experiences, mirror images of love and heartbreak, or a romantic slight, emerge. Similarly, his connections with his loved ones, the pivotal moments of his life, unions, frictions, fractures, conflicts, tensions, and the baroque drama of life manifest themselves, from the effects of the figurative to the pulses of the abstract. In his work, we see a commitment to figuration in the expressive context of ethereal atmospheres of immaterial nature in some cases, architectural in others. It is an interesting return to painting with accents and elements of the abstract, but without abandoning the structural force of drawing, the importance that some of these circumstances may have for his sensitivity translated into a very sensible iconography; in which the artist projects a poetic reflection. The way Tom\u00e1s delves into and explores the nature of his emotions, in his everyday realm, allows us to reflect on passions as expressions of thought or feeling, which are attributes of the soul. All this prompts the artist to create an expressive work related to how he analyzes or re-signifies the spiritual and emotional importance of events splattered with affections and emotions that disrupt and subvert his daily life. In his paintings, something similar happens with color and architecture, as these two compositional elements also become characters. The semantic value of color indicates that it becomes a character, a character that reveals and hides, hence its symbolic load also in color, which is poetically translated into temperatures and shades that correspond to the state of the soul. The intensity of passions in romantic, affective, interpersonal relationships is raw material to consolidate his iconography in which Tom\u00e1s decants and refines these emotions in a self-reflective way and evidences how he ponders about himself, from his interior full of ghosts, full of lights and shadows, in a constant play with life, circumstances, and chance. The drives of life and death, of Eros and Thanatos, are also latent qualities of his pictorial exercise in which Tom\u00e1s tries to be very free and uses a series of encrypted symbols that suggest reflections, feelings, and expressions. These objects of desire are reproduced in his painting amid a semantic play of tragedy and irony. Literature, his visual culture, his imagination, and his inner gaze are ingredients for his pictorial explorations. Painting allows the artist, in this case, to create an x-ray of his passions, ideas, and emotions, indeed giving them a face and an image to those passions that camouflage themselves in multiform characters. The inner movements or moral suffering are triggers of emotional forces that permeate the pictorial language of many artists. Human passions are also part of the essence of artists; and these are reflected or expressed in manifestations of joy, sadness, melancholy, love, and hate, creation and destruction (attributes, feelings, and emotions that constitute the expressive value of many works of art throughout the history of humanity; this can precisely provide them with a series of poetic, ontological, spiritual, and transcendent values or burdens). Notable elements in Tom\u00e1s Salazar&#8217;s work also include the bold use of glazes, meditation with architecture as a component that structures spaces and dimensions laden with emotion and symbolic messages. These become symbols associated with war, play, chance, and logically love, annihilation, or desolation. Love becomes a battlefield of wars and battles, triumphs,<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/tomassalazar.art\/es\/wp-json\/wp\/v2\/pages\/2377"}],"collection":[{"href":"https:\/\/tomassalazar.art\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tomassalazar.art\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tomassalazar.art\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomassalazar.art\/es\/wp-json\/wp\/v2\/comments?post=2377"}],"version-history":[{"count":39,"href":"https:\/\/tomassalazar.art\/es\/wp-json\/wp\/v2\/pages\/2377\/revisions"}],"predecessor-version":[{"id":2814,"href":"https:\/\/tomassalazar.art\/es\/wp-json\/wp\/v2\/pages\/2377\/revisions\/2814"}],"wp:attachment":[{"href":"https:\/\/tomassalazar.art\/es\/wp-json\/wp\/v2\/media?parent=2377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}