Fragments d'Eternitat

His journey begins with a flat, rigid, cold sheet of metal, charged with an internal tension and a resistance that seems to reject human intrusion. Thus begins a ritual of precise physical gestures: folding, welding, cutting, marking, filing, polishing. But there is no pretense of absolute control here. Tomas doesn’t impose his will on the iron as a potter would on clay or a sculptor extracting stone. His is, rather, a control of time. In this physical encounter with the metal, the artist enters a state of profound awareness, a meditative dimension where seconds dilate and the noise of the world fades away.