God Save The King

In his work, Tomás Salazar, carries out a conversation with himself, a permanent inquiry into the development of the arts in a way that appropriates the most substantive elements, solid walls that allow him creative enjoyment from similarities, which is very noticeable, and the progress in a worthy pictorial proposal.

There is in his expression a catalog of basic information that he knows how to adapt to his interests. The high intensity chromatic tones, frequent in the bluish repetitive symbols, give order to a vibrant landscape, sometimes recognizable in medieval architecture, sometimes elevated in a high mysticism that spends the night in an intelligent story written with brushes, in which also A blur that intermingles in its vibrant backgrounds is characteristic.

The fervent celebration of the daily ritual of painting, its decisive confrontation with the unknown of the blank canvas, allows us to advance in the consideration that this attempt to achieve a high name has a feasible goal nearby. He insists on that task with dapper effervescence. Time, which is powerfully wise, will have a suitable place for such insistence.